The Events-Picayune is marking the tricentennial of New Orleans with its ongoing 300 for 300 problem, working by means of 2018 and highlighting 300 people who’ve made New Orleans New Orleans, that features genuine work commissioned by NOLA.com | The Events-Picayune with The place Y’Art work gallery. Proper this second: sportswriter and broadcaster Hap Glaudi.
The icon: Hap Glaudi.
The legacy: “I Converse As I Please”: That was the title Hap Glaudi chosen for his sports activities actions column in his larger than 20 years years writing for The New Orleans Merchandise. Later, he would use that exact same title for his editorial segments on WWL-TV and WWL radio. There was an excellent objective he used it for subsequently prolonged: on account of he meant it. Being a unusual sports activities actions journalist with an opinion on the time, Glaudi spoke as he completely satisfied in his pull-no-punches commentary from the 1940s by means of the 1980s. Perhaps additional significantly, though, “I Converse As I Please” moreover utilized to his unapologetic, tell-tale ninth Ward accent, which endeared him to listeners by means of the New Orleans house. He was undeniably educated about sports activities actions, and that was very important. Nevertheless rather more very important was the reality that he was merely Hap: a folksy, actual, meet-you-at-the-corner-bar New Orleans character. When WWL-TV parted strategies with him in 1978, outraged viewers picketed the station in protest. On account of Hap wasn’t only a few talking head. He was thought of one among theirs.
The artist: Michael McManus.
The quote: “For those who occur to’re questioning why Hap endured in a medium he found uncomfortable, it’s simply because he in no way tried to be one thing he wasn’t. He remained a newsman with opinions, with notion, with a typical contact, with a specific actually really feel for his metropolis.” — The Events-Picayune’s Peter Finney, in a 1989 column
Uncover additional of McManus’ work on-line at WhereYart.internet and in particular person on the The place Y’Art work gallery, 1901 Royal St.
Lloyd Alfred “Hap” Glaudi was born Nov. 7, 1912, in New Orleans.
After graduating from B.M. Palmer Grammar Faculty, Glaudi dropped out of school and took a job as a gentle boy at a neighborhood race monitor. (Some accounts say it was on the earlier Jefferson racetrack; others put him on the Trustworthy Grounds.)
Whereas he was engaged on the monitor, a jockey named Pat Garrity requested the youthful Glaudi to place a $5 wager for him on a horse named Tiger Flowers. Glaudi agreed, placing the wager at Oakley Harris’ Crescent Metropolis Billiard Hall — and putting down a $2 wager for himself. Tiger Flowers gained, paying $136 on that $7 funding.
Glaudi used his winnings to return to highschool, putting it down as a main value at Jesuit Extreme. He shortly distinguished himself as a writer with the varsity paper, The Blue Jay.
It was at Jesuit the place he reportedly earned the nickname of “Hap,” on account of he was on a regular basis snug.
As a result of it appears, the son of Fred Digby — then the sports activities actions editor at The New Orleans Merchandise — attended Jesuit with Glaudi, important Digby to study a couple of of Glaudi’s work in The Blue Jay. He instructed the youthful writer that if didn’t have college plans, a job may very well be prepared for him at The Merchandise. Three days after his highschool graduation, Glaudi took Digby up on the provision. In direction of all odds, he was educated journalist, with prep sports activities actions a specific focus. Digby would develop to be his mentor.
Glaudi would lastly proceed his coaching at Loyola Faculty.
When Digby left the paper, Glaudi took over as sports activities actions editor. He was 24 on the time.
After The Merchandise merged with The States in 1958, Glaudi moved on to a job at a paper in Evansville, Indiana, in what he often known as “my Siberian exile,” consistent with former Events-Picayune columnist Peter Finney. He was once more in New Orleans in three years, taking a job as sports activities actions director at WWL-TV.
Glaudi initially turned down the WWL perform; he solely auditioned as a favor to then-news-director Phil Johnson. Furthermore, Glaudi later recalled, his audition went terribly. Nevertheless Johnson pressed him. When he turned down the job provide a second time, as a result of the story goes, a bolt of lightning hit the station and fried the TV in Johnson’s office. Glaudi modified his ideas on the spot. “I merely acquired my sign,” Glaudi instructed Johnson. “I’m going to take it.”
Inside the straight-laced world of TV — once more when sports activities actions announcers did little larger than study scores — Glaudi turned acknowledged for his warmth, offering birthday and anniversary must viewers over the airwaves, along with expressing his opinion.
Glaudi was an early adopter of the revealed observe of collaborating in lighthearted banter with others on the anchor desk — or “snug communicate,” as a result of it turned acknowledged — one factor that was not sometimes achieved on the time.
In 1964, he appeared on an episode of “Gunsmoke,” part of a CBS approach to draw viewers by casting broadcast personalities from its affiliate markets in bit elements. His character’s title: Hap.
Starting in 1978, he moreover hosted a nightly sports-focused communicate current on WWL radio. He moreover did a post-game analysis after New Orleans Saints video video games that was often known as “Hap’s Stage After.”
In 1978, WWL-TV made the selection to alternate Glaudi with a newcomer named Jim Henderson. Native viewers picketed the station in protest nevertheless Henderson lastly gained them over, forging a legendary sportscasting occupation himself.
Glaudi died of lung most cancers at East Jefferson Hospital in December 1989. He was 77.
A yr later, in 1990, Glaudi was inducted into the Louisiana Sports activities actions Hall of Fame.